Les Acklam talks about labyrinths

I was first initiated into the labyrinth when I attended  a week-end workshop facilitated for the first time in the UK by Lauren Atress herself. It took place at Winford Manor just outside Bristol in the summer of 2001.  Lauren Artress, from Grace Cathedral, San Francisco, is generally credited with being one of the first to rediscover this long-forgotten spiritual tool in the early 1990’s. It was the 11-circuit labyrinth at the medieval cathedral at Chartres in France which She became so committed to opening up the experience of walking a labyrinth for as many people as possible that she set out to ‘pepper the planet’ with them – and she has been very successful in dong so, through such workshops as the one I attended at Winsford, which couldn’t be succeed in enthusing the many participants who went out to ‘spread the word’.

I returned to Lincoln, and enthused about the experience to my colleague, senior student counsellor, Eunice Mather. Together we formed a pact to make  our own canvas following the instruction pack available from Grace Cathedral.

The rest of Les’s account of how the Ermine Labyrinth came into being can be found under the Labyrinth Projects link at the top of this page.

Labyrinth at Melton Mowbray as part of ‘Approaches to Prayer’ Lent course by Les Acklam

Some 40 or so members of local Melton Mowbray churches attended the third session of a Lent course which was exploring different approaches to prayer. In one sense these were ‘new’ ways, but really they were all revivals of age-old traditions, largely overlooked and unused since the Age of Rationalism cast doubt on anything that wasn’t cerebral.

This 3rd session re-introduced the labyrinth, a feature of many medieval churches, particularly the cathedrals of France and northern Italy, but which fell out of use, and was only recently re-discovered in the 1990’s.  By walking a labyrinth we are re-discovering a long-forgotten mystical tradition that many find surprisingly potent.

St Mary’s Church, Melton Mowbray had 20 x 20 foot space in a chapel on the south side which allowed for a 7-circuit Petit Chartres labyrinth. Using a labyrinthograph (!), the 7 circles on which this particular design is based, were traced on to the flag-stones in carpenter’s pencil which then enabled the final outline to be marked out with masking tape.

After a brief introduction, the ‘pilgrims’ were invited to walk. There was an enthusiastic but attentive response. Equally important is the reflection afterwards, in this case, shared reflection which deepened the experience and provided  food for on-going meditation in the days ahead.

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Although the outline on the floor had always intended to be short-lived –‘ for one night only’ , such was the collective experience that a decision was made to leave it in place for several more days to allow for, second walks, perhaps when fewer people were present, and for  others who had not participated in the evening to have an opportunity to share in the experience.